Tag Archives | peoria

Sublime With Rome

SUBLIME WITH ROME

Website | Facebook | Twitter | Instagram | Spotify | Youtube

The wait is over! Sublime With Rome returns long at last with new music in 2018 to complement their first two album releases, Sirens, the 2015 effervescent follow up to the band’s 2011 debut release Yours Truly. “Wicked Heart” will be the first single out late July off their yet untitled upcoming album to come out around Spring 2019.

“We had more time, we know each other better now, and we’re even better musicians,” said Rome Ramirez, who was just 20-years-old when he embarked on this journey.

With Sublime bassist and co-founder Eric Wilson anchoring the group, Sublime With Rome are armed with a new album that makes a real statement… their statement. Produced by Rob Cavallo, who has worked with Green Day, My Chemical Romance, Linkiin Park and many more, the latest release is an expression of three musicians who truly get each other and who communicate seamlessly through their instruments.

The luxury of time had a huge impact on their approach to this all-important release, especially since the band went into the studio without any demos or songs ready to go! That might sound terrifying to some musicians, but Sublime With Rome were invigorated by the situation.

“We didn’t have any songs in our pockets,” the frontman said, confessing that while he liked the spontaneity, it also lit a fire under their collective ass. “We showed up to this big studio and we had nothing, so we had to make it grassroots. It felt refreshing to make things on the fly. It really came together with all of us in the room and we loved the result.”

He furthered, “Everything was recorded live and together. It’s a little tighter and edgier than our last two releases. We have a lot of influence from Eric and it definitely shows.”

Wilson concurred, saying, “It was great working with Rob, our chemistry was excellent. We had a great time recording the album in a totally organic way. There was no stress, even though we came up with stuff on the fly.” The album was recorded at famed Sonic Ranch nearby El Paso, Texas and in Los Angeles.

“It is a whole different feeling now,” Ramirez admitted. “Carlos is such a great guy and he is just as lighthearted, which is great on the road, since touring can be so serious and so tough. It has been more fun, really. It is a lot more relaxed, and that helps with everything. It’s like that everywhere. Studio. Stage. Bus. Wherever we are. We’ve moved forward, musically and on stage. He brings a great element.

And while Ramirez pays the utmost respect to the original Sublime entity, since, as he admitted in the past, they were the first band that made him want to make, as opposed to just listen to, music, he knows Sublime With Rome are worthy of fan’s undivided attention. “This summer, I want fans to say, ‘I went to see Sublime With Rome and the new music is sick as fuck.’ We can do that by continuing to make better and better records,” he said.

Ramirez even stated that he isn’t so much interested in the endgame or results as much as he is interested in writing music that is honest. And it’s Wilson who summed up how their new music is such an important record for the band. “I’m able play music for the love of music, just like I did back then. I am so fortunate to still be able to do it,” he said.

TROPIDELIC

Website | Facebook | Twitter | Instagram | Spotify | Youtube

“Every single second is a blessing if you count them all,” sings frontman Matthew Roads. You can hear the sincerity in his voice; the joie de vivre that oozes from everything Tropidelic does is apparent. When they take a stage, their synergy flows member to member—horns blow, knees kicked high and grins are passed from one man to the next. Almost immediately it spreads to the crowd, lifting hands in the air as their feet begin to move and the pulse collectively becomes that of one.

The six-piece band from Cleveland, Ohio may be far from any tropical islands but that doesn’t stop them from dishing out an interesting mix of reggae, hip – hop and high energy funk for audiences across the country. Tropidelic has a deep and widespread appreciation for music that can be heard in each note. Some of the members are hip-hop heads, while others are into metal, funk or reggae. But each of these genres lends something to their collective sound. “We pride ourselves in being original in our musicality and personality as a band,” says Roads, “but also in not taking ourselves so seriously that it ruins the fun.”

For their forthcoming 2017 release, “Heavy is The Head”, Tropidelic carefully vetted what songs made it to the record, and featured songwriting efforts from members James and Darrick. Sound engineer Cary Crichlow, who has worked on the last four releases from the band, returned to get the job done. “Our socio-political views vary as much as our musical tastes and always seep into the music” says Roads. “There’s certainly a lot that needs said, but on this record we tried to be well-rounded and touch on a broad scope of emotions.”

These seasoned road dogs can be found spreading their soulful sound across the country in both intimate venues and music festivals, having shared the stage with and supported such acts as Slightly Stoopid, The Dirty Heads, Pepper and The Wailers. Previously, Tropidelic has been featured at Werk Out Festival, Reggae on the River, Night Lights Music Festival, an appearance at Warped Tour, SXSW and supporting Badfish through the East and Midwest. In 2017, the band is focused on headlining tours as well as performing at Electric Forest, Burning Foot Festival, Surrounded By The Sound, Bragg Jam, Shadefest and much more. Stay tuned for more from Cleveland’s home-grown, Tropidelic.

Jeff Austin Band

JEFF AUSTIN BAND

Website | Facebook | Twitter | Instagram | YouTube

“When I’m writing a song, it’s not about the hot licks, it’s about the voice and how it can be showcased from song to song,” says musician Jeff Austin. His focus is on transporting his audience by way of his vocal: “It’s the direct communication with the crowd — not just asking them how they’re feeling, but bringing something out of them.” For Austin, the act of speaking to people through his art really means using his voice.

The career of the Colorado-based artist has already seen him break through jam and bluegrass scenes, play stages from The Fillmore Auditorium to Red Rocks Amphitheater, and outdoor events like Telluride Bluegrass Festival and Bonnaroo Music and Arts Festival, among many others. But with the launch of his solo career in 2014, Austin is now building on the foundations of previous ventures while honing his own sound and charting new courses.

“I’ve learned a lot from the people I’ve played with,” says Austin who has shared stages with such luminaries as Del McCoury, Jerry Douglas, Sam Bush, Earle Scruggs, Jon Fishman, and Phil Lesh. And it’s artists such as these who have helped crystalize Austin’s idea of what he wants to do as he moves forward with his eponymous project. “From both the rock side and the bluegrass side,” he explains, “I’ve learned a lot about song structure, solo ideas, playing with guts, and being who you are.”

Although he considers the Jeff Austin Band his primary focus, the mandolinist and singer is also known for embracing collaborations. In 2004, he released a full-length album with Chris Castino (The Big Wu) that featured guest appearances by Noam Pikelny, Darol Anger, and Sally Van Meter. Just two short years later in 2006, Austin teamed with Keller Williams and Keith Moseley to record a live album of bluegrass takes on Grateful Dead covers. The project, released under the name Grateful Grass, benefited the Rex Foundation. And most recently, Austin revived 30db – his project with Brendan Bayliss of Umphrey’s McGee.

In truth, Austin only began playing the mandolin a few years before co-founding progressive bluegrass outfit Yonder Mountain String Band, a group with whom he parted ways in 2014. And, picking prowess aside, Austin has always considered his voice to be his first instrument. He was drawn to singing from a young age, pursuing musical theater in high school and college. That passion is still evident in his approach to song craft.

Austin draws from those varied roots and readily admits to still loving musicals, being fascinated by Madrigal singers, and tuning-in to a wide range of vocal powerhouses. He channels all of these influences into his solo career, while also seeking personal innovation. For his newest project, Austin sought out musicians on the cutting-edge of the acoustic and jazz music circles. Artists proficient in theory and technique, but not afraid to lend themselves to some “far-out arrangements.” The result is some of Austin’s most structured, yet exciting, compositions to date with an approach that fits within his own evolving journey and personal motto, “The work continues.”

Although there is a strong undercurrent of momentum and innovation that course through Austin’s newest project, there is also a connection to the past with the bandleader revisiting selections from his back catalog. Offerings include “Dawn’s Early Light,” “Snow in the Pines,” and others dating back to the 1990s. What matters, Austin points out, is that those songs evoke strong emotional responses both from the audience and himself. Played by this new ensemble, those songs feel revitalized and fresh.

When it comes to dynamics and structure, Austin taps the variety of sounds and styles he’s absorbed from theater, jamming, nearly twenty years of performance, and his love of experiencing live music as a fan. It’s that inner concert enthusiast that binds him to his own audience and a powerful exchange between the stage and the crowd. “I hope they take with them exactly what I hope they leave with us,” he says. “And that’s inspiration.”

THE MIGHTY PINES

Website | Facebook | Twitter | Instagram | Soundcloud

The Mighty Pines are a soul-inspired roots rock band influenced by the wide rivers and red-brick streets of St. Louis. With soaring vocals and thoughtful composition, the two principle songwriters shift the band’s sound from catchy rock ‘n’ roll to earthy instrumentals. The Riverfront Times heralds the band as “a talented young quartet engaged in the roots and rhythms of bluegrass but mixed with a more contemporary ear for harmony and production.”

The Mighty Pines formed in 2012 and is made up of Neil Salsich (vocals, guitar), Gerard Erker (mandolin, banjo, vocals), John Hussung (bass, vocals) and Mike Murano (drums). They have released four albums, played hundreds of live shows and shared bills with renowned acts such as Greensky Bluegrass, Railroad Earth and Fruition across the country.

[CANCELED] Turnpike Troubadours

Turnpike Troubadours

Website | Facebook | Twitter | Instagram

Roughly 3,300 people live in Okemah, Oklahoma, a town with vintage redbrick storefronts, a dive bar called the Rocky Road Tavern, a name that means “things up high” in Kickapoo, and a strange track record of birthing great American songwriters: Woody Guthrie is from Okemah. Grammy-nominee John Fullbright is, too. Evan Felker belongs on that list.

“I was born in Okemah but was raised in Wright City, a town in southeastern Oklahoma,” Felker says. “Now I live in Okemah again. The characters I write about are living in that world I grew up in––a bucolic, dirt-underneath-your-fingernails sort of world. People where I grew up are tough. It’s nice to be able to represent them in art.”

Felker is the frontman, cofounder, and primary songwriter for Turnpike Troubadours, a virtuosic band of country-rock road dogs who, on any given night of the week, will play for a much bigger crowd than the populations of Okemah and Wright City combined. Singer/guitarist Felker, fiddler Kyle Nix, steel and electric guitarist Ryan Engleman, bassist RC Edwards, drummer Gabe Pearson, and steel and accordion player Hank Early deliver punch after punch of smart rock-and-roll that sells out huge venues throughout the Midwest and South and packs legendary haunts like the Troubadour in Los Angeles.

With their highly anticipated fourth album A Long Way from Your Heart, the sextet is poised for even bigger breakthroughs. Narratives put to music are nothing new, but Felker and his bandmates have upped the ante, creating a web of unforgettable characters that show up on album after album in songs that are both catchy and musically complex: men and women with their backs against their wall, represented realistically but also imbued with dignity. “It feels like going home to see that those characters are still alive in a way that movies and literary writers have always done,” Felker says of the recurring favorites. “It feels good. There they are, all based on people that I know and love. They’re composite characters based on real people.”

A Long Way from Your Heart was produced by Grammy winner Ryan Hewitt (The Avett Brothers, Flogging Molly, Red Hot Chili Peppers). The result is a rare triumph––an album that hooks immediately but then rewards listeners willing to dig deeper. “I love what we as a band have turned into and how we treat songs,” Felker says. “That’s something we’ve grown into––adding some sort of oddly theatrical element to the musicianship to help the story along, to sum up where or who the character is to give him a little bit of landscape. It’s not just an acoustic guitar and a guy telling you what somebody’s doing.”

The band’s impressive musicianship is multifaceted: fun with time signatures via lapses into double or half time; clean, abrupt stops; stealthy fingerpicking; unassailable grooves. Felker’s warm vocals invite both closer listening and dancing––a tricky mix that he exudes naturally. Unconventional mash-ups work for Felker, who shrugs off attempts to label whathe does. “I find art in a lot of places,” he says. “I find things that aren’t considered art in a lot of people’s views of the world artful.”

A Long Way from Your Heart kicks off with a fine example of art in the unexpected. Based on the experience of folks Felker knew back home, “The Housefire” captures the devastation and hope that follows losing just about everything. Cushioned by Irish-inspired strings, the narrator’s gentleness as he loses all he’s built stands tallest. Rolling singalong “Something to Hold On To” begs for one last chance, while the sweetly sad “Old Time Feeling (Like Before)”––which Felker co-wrote with Edwards and friend Jonny Burke––fights falling back into old patterns over a lush chorus of strings led by winsome dobro.

Album standout “Pay No Rent” is an ode to Felker’s aunt Lou, who lived and owned a beloved local bar in Okemah, the Rocky Road Tavern. “She was about the only person I could go drinking with at 10 a.m. on a Tuesday,” Felker says, then laughs. “We got to be really good friends. We’d hang out a lot, fish together, cook together, drink tequila, and build a big-ass fire at her place out on Buckeye Creek. She loved that song ‘Blue Eyes Crying in the Rain.’ She said, ‘If I ever die––I hope I never do, but if I do––you gotta play ‘Blue Eyes Crying in the Rain’ at my funeral.’” Lou passed away last year, and when Felker got the news, he called good friend John Fullbright, and the two got to work learning the song. Then, the day before the funeral, the two realized Lou had asked about five other people to sing “Blue Eyes,” too. “So between noon and three in the morning, we wrote ‘Pay No Rent’ for her instead and played that,” Felker explains, laughing again. Based on an old Irish saying, the song is a gorgeous tribute.

Felker’s favorite album track, “Unrung” is a winning amble through warnings, praise, and a tinge of jealousy, all written about a good friend. “A Tornado Warning”––Felker’s other favorite––is a love song brimming with detail. Frenetic story song “The Winding Star Mountain Blues” traces the strained friendship between a stand-up guy and his wayward childhood friend to immortalize a different kind of heartbreak. Electric shuffler “The Hard Way” is a wry send-up of trying to relive youth when it’s a little too late.

Featuring nimble piano and Haggard-worthy jazz guitar licks, album closer “Sunday Morning Paper” is a nugget of hero-worshipping wit. Felker was inspired to write the song by his uncle, Ervin Felker. “He gave me my first guitar. He played in bands and was a Marine––he’s the guy from ‘Blue Star,’” Felker says, referencing a track from the band’s 2012 release Goodbye Normal Street. Felker took the first line from one of his uncle’s songs then penned the rest to create a celebration of the giants of 70s country-rock––the elder Felker included.

The album’s sharply drawn characters and the range of challenges they face creates a tapestry that’s compelling and ultimately, inspiring. “This whole record is about resilience in the face of tragedy––tragedies of different sizes,” Felker says. “Just getting your nose down and dealing with it.”

Little Steven and the Disciples of Soul

Little Steven and the Disciples of Soul

Website | Facebook | InstagramTwitter

Steven Van Zandt is a Musician, Performer, Songwriter, Arranger, Music Producer, Music Supervisor, TV Producer, Actor, Director, Broadway Producer, TV and Film Composer, Live Event Producer, International DJ, Activist, Historian, Teacher, member of the Rock and Roll Hall of Fame, and is recognized internationally as one of the world’s foremost authorities on both Contemporary and Traditional Rock and Roll.

After helping create the “Jersey Shore” sound with the Asbury Jukes he became a founding member of Bruce Springsteen’s E Street Band, and went on to become a successful solo artist in his own right recording and performing solo with his band Little Steven and the Disciples of Soul. In 2017 he released his first new album in over 15 years returning to his Rhythm and Blues roots entitled “Soulfire” which Rolling Stone named one of its “Best Albums of 2017.”

He has recently released “Soulfire LIVE!” a 24 track digital live album with a 3 disc CD box set and 7 Vinyl box set to be released this summer. It was recorded live during the “Soulfire Tour,” his first solo tour in over 20 years.

His songs have been performed by artists such as Jackson Browne, Pearl Jam, Jimmy Cliff, Damian Marley, Margo Price, Gary U.S. Bonds, Darlene Love, Nancy Sinatra, Brian Setzer, Black Uhuru, and more.

Steven Co-Produced the seminal Bruce Springsteen and the E Street Band albums “The River”, and “Born in the U.S.A.” He has also produced albums for Southside Johnny and the Asbury Jukes, Gary U.S. Bonds, Ronnie Spector, Demolition 23, Majek Fashek, and more. He Arranged and Produced “Introducing Darlene Love”, the critically acclaimed album for the legendary Darlene Love, star of the Oscar winning documentary “Twenty Feet From Stardom”.

In 1985, Van Zandt formed Artists United Against Apartheid and wrote “Sun City,” a song featuring over 50 major recording artists protesting the Apartheid system and considered by many political experts to be one of the fatal blows to Apartheid, leading to Nelson Mandela being freed only a few years later. He was a performer at “The No Nukes” concert in New York City, the “Vietnam Veterans of America” concert, “LaBamba’s Christmas Show for the Benefit of Missing Children” which he also produced, “The Anti-Apartheid” concert in Central Park, “The Benefit for Passaic Fire Victims”, “The Amnesty International A Conspiracy of Hope” concerts, “Nelson Mandela’s 70th Birthday Tribute Concert” at Wembley Stadium, and many more. He has twice been honored by the United Nations for his political activism, including the “Sun City” project and film, and his involvement in “International Peace Day” along with Peter Gabriel. He also established the Solidarity Foundation to promote the sovereignty of indigenous peoples and to foster economic development in harmony with the earth.

Steven Co-Starred in all seven seasons of the Sopranos, playing principle character “Silvio Dante,” a character that he created. He Starred in, Co-Wrote, Executive Produced, provided the music supervision and scoring, and Directed (the final episode) for the award winning series “Lilyhammer”, which was the FIRST original programming for Netflix.

In 2001 he launched “Little Steven’s Underground Garage”, his internationally syndicated radio show and the most successful syndicated Rock music radio show in the past 40 years. Steven also created and produces the first two channels of original content on SiriusXM Satellite Radio, the Underground Garage (Channel 21) and Outlaw Country (Channel 60). In 2006 he launched his record label, Wicked Cool Records, to further support new Rock and Roll.

Little Steven and the Disciples of Tour are currently on the road with their Soulfire TeachRock Teacher Appreciation Tour. The landmark live tour will benefit The Rock and Roll Forever Foundation’s TeachRock program. Established by Dr. Van Zandt (he received an honorary Doctor of Fine Arts Degree from Rutgers University), the Foundation creates education materials that use the history of popular music to create engaging, multicultural lesson plans for history, social studies, language arts, music, and science classrooms, all of which are available to educators at NO COST.

This marks the first-ever Rock tour specifically geared towards addressing this crucial societal need. At each stop of the tour, The Rock and Roll Forever Foundation is hosting FREE TeachRock Professional Development Workshops, with educators who attend also receiving a complimentary ticket to that evening’s concert.

“Music will forever be humanity’s most effective and consistent source of inspiration and motivation, and, we have learned, music turns out to be our most solid common ground for establishing communication between teachers and students which is where education begins.” – Stevie Van Zandt

Here Come The Mummies

Here Come The Mummies

Website | Facebook | Twitter | Instagram

Here Come the Mummies is an eight-piece funk-rock band of 5000 year-old Egyptian Mummies with a one-track mind. Their “Terrifying Funk from Beyond the Grave” is sure to get you into them (and possibly vice versa).

Since their discovery HCTM has been direct support for P-Funk, Al Green, Mavis Staples, KC and the Sunshine Band, and Cheap Trick; rocked Super Bowl Village; become a regular on The Bob and Tom Show; played massive festivals like Summer Camp, Common Ground, Voodoo Fest, Musikfest, Suwannee Hulaween, and Riverbend; and sold tickets by the thousands across large swaths of North America.

Maybe that’s why the ladies (and some dudes) can’t stop losing their minds over these mayhem-inducing mavens of mirth.

Some say they were cursed after deflowering a great Pharaoh’s daughter. Others claim they are reincarnated Grammy-Winning studio musicians. Regardless, HCTM’s mysterious personas, cunning song-craft, and unrelenting live show will bend your brain, and melt your face. Get ready, for Here Come The Mummies.

[CANCELED] Hoobastank

The Reason 15th Anniversary Tour

Hoobastank

Website | Facebook | Twitter | Instagram

Sometimes even a multi-platinum band with three GRAMMY nominations under their belt needs the kind of pop talk which helped inspire Hoobastank’s sixth studio album, Push Pull, their first since 2012’s Fight or Flight, and debut for noted rock independent label Napalm Records.

“We never stopped exchanging musical ideas,” says vocalist/guitarist Doug Robb, who co-founded the band with high school classmates, Dan Estrin and Chris Hesse, almost 20 years ago in Agoura Hills, CA, a suburb of Los Angeles he still calls home. “We waited until we had enough material to start recording an album. We love creating music, even if no one else ever hears it.”

Push Pull, so named for the power struggles and codependency that goes on within any long-term relationship–including, but not only, marriage and a rock band–was produced by longtime pal (but first-time collaborator) Matt Wallace at his Studio Deluxe facility in the heart of the band’s San Fernando Valley turf. Sifting through the musical demos provided by both Estrin and bassist Jesse Charland (a band member since 2009), then Robb’s lyrical and melodic ideas, Wallace provided not just the requisite encouragement, but the creative midwifery, which set the wheels in motion for the album. The result nails a bull’s-eye to the underappreciated ‘Stank’s sweet spot–the large-scale, muscular ‘80s-‘90s alternative rock of U2, Duran Duran, INXS and even Tears for Fears, whose “Heads Over Heels” gets a brawny, Bowiesque take on the new collection.

Secondhand Serenade

Website | Facebook | Twitter | Instagram

Before the explosion of Instagram, Facebook and Twitter, the music industry had not yet seen a forward-thinking artist rise from the internet to find success in the mainstream. But all of that changed in the form of a lone man and his guitar. The year was 2007 when the #1 Myspace artist took the leap from the early days of social networking to the world of big box retail, releasing his first album commercially through a brand new record label. The artist was Secondhand Serenade, the label was Glassnote Records and the album was titled, Awake. Fast forward a full decade later and the team is getting back together. Not only is Secondhand Serenade (real name John Vesely) back on the Glassnote roster, but the album that started their relationship many moons ago is being brought back to life in the form of Awake: Remixed & Remastered, 10 Years & 10,000 Tears Later.

While it may have been the first album for both the artist and the newly birthed record label, the fruits of their efforts together would not take long to see the light of day. Secondhand Serenade quickly shot to the forefront of the emo-pop movement, selling out tours, appearing on late night television and hitting the top of the radio charts along the way. Armed with a multi-platinum single in “Fall For You”, a growing reputation as a world class live performer, and his trusty acoustic guitar, the California based musician became the face of a genre.

After a relocation to Nashville, Tennessee and a break from touring, Vesely is now re-emerging with this 10-year anniversary album coming out on February 10th, 2017 and a full blown tour in support of its release. The disc is set to include all 12 songs which originally appeared on the first retail release of Awake, along with 2 brand new songs. The originals have also been updated with some additional production on top of being remixed and remastered.

 

GWAR & Hatebreed

The Gore, Core, Metal and More Tour 2018

GWAR

Website | Facebook | Twitter | Instagram | Bandcamp

The story of GWAR is carved across the history of this barren and hopeless planet, but GWAR themselves are not of this world… their story begins in the deepest reaches of outer space. Long ago, the beings who would become the rock band GWAR were part of an elite fighting force, the Scumdogs of the Universe. For eons, they served as thralls to a supreme being known only as the Master. But one by one, each future member of the band earned a glaring reputation for being an intergalactic fuck-up. And so, they were banished, sent away on a fool’s errand to conquer an insignificant shitball floating in a dark corner of the universe; the planet Earth. Once here, GWAR shaped the face of the globe, destroying and rebuilding the natural world, and giving rise to all of human history. Aliens to some, gods and demons to others, our erstwhile Scumdogs fucked apes to create the human race, and this fateful unplanned pregnancy would prove to be truly disastrous!

Their new album, “The Blood of Gods” is nothing less than a sacred text chronicling the rise of humanity against their makers, and the massive battle between GWAR and the forces of all that is uptight and wrong with the world. Along the way, the band challenges the sins of their great mistake, from politics, pollution, and organized religion, to fast food, and factory farming. Humans are shown as what they are; a parasitical disease that must be eradicated before they suck the planet dry. Born of adversity, “The Blood of Gods” is a sonic scar…a question asked and answered…Death cannot kill GWAR. Nothing can. GWAR LIVES MOTHERFUCKERS!

The Cadillac Three

The No Sleep Til London Tour

The Cadillac Three

Website | Facebook | Twitter | Instagram

It may be a ballsy move for The Cadillac Three to name their new album LEGACY, but if any country band has the shared history to lay claim to such a weighty title, it’s the longhaired trio of Nashville natives.

Singer-guitarist Jaren Johnston, drummer Neil Mason and lap-steel player Kelby Ray have known one another since they were teens and have been sharing stages together for nearly 15 years. This summer, they’ll headline their hometown’s most famous venue, the Ryman Auditorium, just a few blocks from where Johnston and Ray sat in high-school math class daydreaming about one day playing the legendary hall. Johnston’s connection to the Ryman goes back even further: his father has been a drummer at the Grand Ole Opry since Jaren was a child. And now he has a son of his own, who, like his old man, will be well-versed in all the sounds that make up both Music City and The Cadillac Three, from country and blues to rock & roll.

So, yeah, “legacy” looks good on this band.

“We’re trying to build something and do it our way, which is always harder,” says Johnston. “If you’re going to leave something that people are actually going to remember, you can’t take the easy way. So we took all of our history, mixed it with the energy of The Cadillac Three and put it into a record that makes sense of where we’ve been and where we’re going.”

 

Bones Owens

Website | Facebook | Twitter | Instagram

Born and raised in rural Missouri, relocating to Nashville in 2005, Bones’ sound blurs genre boundaries as the product of years on the road and in the studio with a variety of bands. Formerly guitarist to Yelawolf & Mikky Ekko, Bones is currently in the studio recording his third solo album.

Jonathan Davis

Jonathan Davis

Jonathan Davis of Korn: Black Labyrinth Tour 2018

Website | Facebook | Twitter | Instagram

It would be nearly impossible to mistake anyone else for Jonathan Davis. The overpowering figure he casts behind that H.R. Giger-made microphone remains just as iconic as his signature scream does. A true original, the Bakersfield, CA singer, songwriter, composer, producer, and multi-instrumentalist indelibly impacts millions as frontman for alt-metal/rock game-changers Korn—whose accolades encompass two GRAMMY® Award wins, worldwide sales of 40 million-plus, and countless sold out shows in nearly every corner of the globe. Throughout over 20 years in music, his presence coursed through the film scores, contributions to popular video game franchises, and official remixes for the likes of Steve Aoki and more. Along the way, he lent his voice to tracks for everyone from Linkin Park to Tech N9ne. However, 2018 sees him doing something he has yet to do: release his first solo album.

Writing and recording on the road, he played guitar, keys, and anything else he could get his hands on. Moreover, the music was primarily record live. Led by the single “What It Is,” it continues a tradition by boldly treading new territory.

“I’ve always got to be different,” he leaves off. “Once again, I’m doing something I haven’t heard before. This is my swan song. It’s my fucking masterpiece up to this point.”

 

The Birthday Massacre

Website | Facebook | Twitter | Instagram

Alternative Rock / Modern Rock band formed in London, Ontario, Canada in 1999. Originally called Imagica, the band changed their name to The Birthday Massacre in 2002. Their unusual musical style combines dark lyrics and melodic overtones with loud distortion guitars and ambient synthesizers.

 

Julien-K

Website | Facebook | Twitter | Instagram

Electronic music group formed by Ryan Shuck and Amir Derakh (both formerly of the band Orgy), and Anthony Valcic. The line-up of Julien-K teamed with singer Chester Bennington to form the group Dead By Sunrise.

Candlebox

Want to win a pair of tickets to the show PLUS a Meet & Greet with the band and awesome merch? Enter our Candlebox Prize-Pack Giveaway here: https://woobox.com/htxp5h

Candlebox

Website | Facebook | Twitter | Instagram

Currently celebrating their 25th anniversary, multi-platinum rock band Candlebox has not only withstood the test of time but, more importantly, they’ve withstood trends, trials and tribulations and come out stronger for it. Because for this hard-working band out of Seattle, the goal has always been the same – to create iconic music that would last a lifetime.

Taking their name after a Midnight Oil song, Candlebox burst onto the scene in 1991 with their debut, self-titled album that went on to sell more than four million copies, was certified four times platinum, and landed them in the number 7 spot on the Billboard Charts.

Their follow up album Lucy was also well received earning them a platinum certification and solidifying them as a tour de force in the thriving 90s music scene. The band would then go on to release Happy Pills in 1998, which would be their last album before their eventual hiatus in 2000.

The driving force behind Candlebox’s success has been their explosive live show and throughout their career, they’ve toured with such bands as Living Colour, The Flaming Lips, Our Lady Peace, Rush, Henry Rollins, Metallica and more. They were also a featured band on the main-stage at Woodstock ’94 and made repeat live performances on the David Letterman show.

They are best known for the singles “Change”, “You”, “Far Behind” and “Simple Lessons”. “Far Behind” from their debut album entered Billboard’s Top 20 in July of 1993 and didn’t drop off the charts until January of 1994. The videos for “Far Behind” and “You” were in seemingly perpetual rotation on MTV and became two of the most requested videos of 1993.

The band took a break from 2000 to 2006 and in 2008 the band reformed and released their fourth studio album called “Into The Sun”. This meant their return since 1998’s Happy Pills. Also, they released a live album called Alive in Seattle, which included tracks from all their past albums.

Candlebox then spent years touring and released their sixth album Disappearing in Airports, which debuted at #9 on the Billboard Charts and spurred many tours including a successful European tour. In January of 2018, the group kicked off their much-publicized “25 Years Of Rock & Still Rolling Tour” and announced two exclusive Seattle shows with all four original members, which sold out in minutes.

 

Powered by Rockhouse Partners, an Etix company.